Witkacys last years were full of apprehensions of disaster. In 1937 he saw the coming world catastrophe and predicted his own death at fifty-four during the war.
He knew the end was near, and that fascism and communism meant the demise of art. I live in the half-shadow between life and death, he wrote to his friend and free credit history report Macon mentor, the German philosopher Cornelius in 1938. In poor health and horrified at the fate of civilization, killing himself now seemed inevitable. After the Nazis invaded Poland on September 1, 1939, Witkacy fled to the east with Czeslawa Korzeniowska, a much younger woman who was the great love of the last decade of free credit history report Macon his life. They had reached the little village of Jeziory (now in Ukraine) when word came on September 17 that the Soviets had attacked and the Red Army would soon arrive. During free credit history report Macon the night of September 18, 1939, Witkacy killed himself by slashing his wrists and cutting his throat after first taking pills to make the blood flow faster.Czeslawa, who tried unsuccessfully to kill herself, described how she found Witkacys corpse. need a free credit report His jacket wasunder free credit history report Macon my head, he must have put free credit history report Macon it there.He was lying besideme on his back, with his left leg drawn up, he had his arm bent at the elbow and pulled up.His eyes and mouth were open. On his face there was a look of relief.A relaxing after great fatigue.Istarted to yell, to say something to Stas. We both were wet fromthe morning mist, acorns from the oak had fallen on top of us. I tried to bury him by raking dirt over him with my hands. With water from the mug for the luminal I washed his face free credit history report Macon and covered Iit with ferns. and I crawled away from him on my hands andknees to get some manuscripts that had to be saved, but I didntknow how, then I returned and sat helplessly on the ground. mycreditreport
Throughout the war and during the immediate post-war communist take-over of Poland, there could be no possibility of reviving Witkacys work. For nearly six years of Nazi occupation, no open theatre existed, except for collaborationist light entertainment. An underground home production of The Madman and the Nun by students at the Clandestine Warsaw University went into final rehearsals in the spring of 1942, but never was actually realized.After 1945 there seemed no place for an extreme individualist like Witkacy in the triumphant anthill society against which he had warned.In January 1949, socialist realism was proclaimed the only acceptable style in the arts, and later that year a Festival of Russian and Soviet Drama was instituted to teach Polish playwrights how to write in the Moscow-approved style. All theatres free credit history report Macon were put under centralized bureaucratic control, Polish romantic dramas were banned, free credit history report Macon and for the next five years of Stalinism, Witkacy seemed doomed to oblivion. free credit reports.com But the playwright demonstrated uncanny skill in predicting his own posthumous rediscovery. On a striking portrait all in dark red, done in 1931, there is the inscription: For the posthumous exhibition in 1955. It was in 1956 that Tadeusz Kantor opened his theatre Cricot II in Cracow with The Cuttlefish, the first post-war production of Witkacys work.
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